With the release of his new album, Gravity, earlier this month, Lecrae is growing in popularity as a hip-hop artist among audiences Christian and non-Christian, black and white. The Associated Press, among others, praised the album, saying, “Lecrae delivers a strong piece of work. He’s not afraid to rap about his past mistakes, supplying inspirational rhymes filled with Christian values backed by well-produced secular hip-hop beats.”
Lecrae (his full name is Lecrae Moore) stands at the intersection of two contrasting cultures: the urban vibe of historically black hip-hop and the theological leanings of the historically white Reformed tradition with its roots in Calvinism.
It’s a cultural mix common in Holy Hip-Hop, says author and “hip-hop theologian” Efrem Smith. Holy Hip-Hop artists often appear in front of white evangelical audiences and receive support from white Reformed pastors like John Piper and Mark Driscoll (who have both interviewed Lecrae). But the artists themselves tend to be young black men from inner-city backgrounds who ironically struggle to find an audience among urban youth.
The reason for that, Smith argues, is because the African American church has too often rejected hip-hop culture and because urban youth sometimes dismiss Holy Hip-Hop as inferior to secular hip-hop music.
“Lecrae and Reach Records are the main reason why Holy Hip-Hop is growing in popularity in urban American and African American communities,” Smith said in an interview with UrbanFaith. “Put the Christian stuff aside for a minute; Lecrae is more gifted and talented than many artists being pushed by secular companies today.”
Lecrae’s Scripture-packed music hits a variety of urban issues, like fatherlessness, drug addiction, and violence. Lecrae himself was raised by his mother in the inner city of Houston and was involved in gang activity before his conversion at age 19. He went to a black church when he first became a Christian, but later visited a white Reformed congregation and was attracted to their take on the Bible.
But as Lecrae said in a video produced by The Gospel Coalition, “To drop Calvin’s name (in the black community) is to drop a curse word.” The Reformed tradition has historical links to racism in the U.S., going back to Calvinists who used their theology to justify slavery.
For that reason, Smith cautioned Holy Hip-Hop artists against depending solely on Reformation theology (which he wrote about in a blog post). Rather, he said, they need to draw upon other theologies that address the concerns of the oppressed, like liberation theology, reconciliation theology and missional pietism, to speak a prophetic message. Smith suggests that’s one area where Lecrae could grow musically, although he likened this constructive critique to criticizing LeBron James’s basketball skills.
“He does a great job of talking about individual sin and individual responsibility and the importance of accepting Jesus Christ as Lord and Savior and living by the Holy Spirit,” Smith told UrbanFaith. “What I’d like to see him do more is raise the systemic issues — the corporate issues of sin and injustice in our country and the world — and point to kingdom justice and mercy to deal with these corporate sins.”
For Lecrae, the Reformed tradition describes how he interprets the Bible, and his adoption of that theology is a way to bridge the racial divide.
“I don’t feel like I’m under theological imperialism or whatever,” Lecrae said in a video produced by The Gospel Coalition. “I feel like I’m in search of truth, and I’m going to get it wherever I can find it. And I feel like I am in some senses a contextual ambassador, a cultural ambassador, and I do want to bridge those gaps and tear down those walls.” Check out the video below.
What do you think of Lecrae’s music and Holy Hip-Hop?