Never Far From Home: Bruce Jackson’s Journey from the Projects to Microsoft

Never Far From Home: Bruce Jackson’s Journey from the Projects to Microsoft

Bruce Jackson wants his story not to be unique. Unfortunately for thousands of kids growing up in urban poverty the way out seems impossible to find. But Bruce gives hope and opens up possibilities by sharing his story of growing up in the projects in Brooklyn, NY to becoming the attorney for Hip Hop legends and landing as the Associate General Counsel at Microsoft. He gives the blueprint in his new book Never Far From Home: My Journey from Brooklyn to Hip Hop, Microsoft, and the Law. UrbanFaith contributor Maina Mwaura sits down with Bruce Jackson, Esq. to discuss his journey and the inspiration he has to help make his story more common through his work. More on the book is below.

Microsoft’s associate general counsel shares this story that is “as nuanced as it is hopeful” (Hakeem Jeffries, House Minority Leader) about his rise from childhood poverty in pre-gentrified New York City to a stellar career at the top of the technology and music industries in this stirring true story of grit and perseverance. For fans of Indra Nooyi’s My Life in Full and Viola Davis’s Finding Me.

As an accomplished Microsoft executive, Bruce Jackson handles billions of dollars of commerce as its associate general counsel while he plays a crucial role in the company’s corporate diversity efforts. But few of his colleagues can understand the weight he carries with him to the office each day. He kept his past hidden from sight as he ascended the corporate ladder but shares it in full for the first time here.

Born in Crown Heights, Brooklyn, Jackson moved to Manhattan’s Amsterdam housing projects as a child, where he had already been falsely accused and arrested for robbery by the age of ten. At the age of fifteen, he witnessed the homicide of his close friend. Taken in by the criminal justice system, seduced by a burgeoning drug trade, and burdened by a fractured, impoverished home life, Jackson stood on the edge of failure. But he was saved by an offer. That offer set him on a better path, off the streets and eventually on the way to Georgetown Law, but not without hard knocks along the way.

But even as he racked up professional accomplishments, Jackson is still haunted by the unchanged world outside his office.

From public housing to working for Microsoft’s president, Brad Smith, and its founder, Bill Gates, to advising some of the biggest stars in music, Bruce Jackson’s Never Far from Home reveals the ups and downs of an incredible journey, how he overcame many obstacles and the valuable lessons learned along the way.

Honoring God And Sharing Your Gift: Wisdom from Otis Kemp

Honoring God And Sharing Your Gift: Wisdom from Otis Kemp

UrbanFaith had the opportunity to sit down with artist Otis Kemp to talk about how he is able honor God while sharing His musical gifts. His hit single “The Reason” has gone viral and his music is being played all across the Southern United States. But his impact on his community and his journey to success have been anything but overnight. Otis Kemp shared a few key nuggets of authentic wisdom for people trying to be a blessing while being blessed.

Our Gifts Should Honor God

You want to share your gift. You want to share the message that God has given you. The music that I represent is life music. I don’t look at a particular genre, like gospel or anything, because anybody can say they are gospel and live like whatever. I believe life music is a testimony of who you are. When you when you see me, you should see some residue or some characteristics of the one Savior.

What Inspires You to Share Your Gift

I mean, to be honest [The Reason] was a song God gave me a couple of years ago, and it was at a dark time in my life. I began to prophesy over my life. I began to declare things that I was taught [since I was] a little boy. The God that my father taught me about [is why I live the way I do] even though at the time I didn’t understand what he was instilling in me. I’m a preacher’s kid and my family prayed.

You know, the Bible says you train up a child in the way they should go, and when they get older, they won’t depart from it. That is a true scripture. I’m evidence of that. I wanted to share with people when I say the God of Abraham, Isaac, Jacob, and Jabez [in my song] I’m talking the one and only true God. I’m talking about the God that you can actually talk to that you can have a relationship with. This ain’t no fake. It’s a real thing that he saved me. Like, I come from the streets. I’m from Miami, Florida, it’s rough. And down here, only the strong survive. God snatched me out of the darkness, snatched me out of the enemy’s camp, and brought me to his side.

 

How Can You Use Your Gift to Bless Others?

I would say the first thing that they should do is build a relationship with the Most High. I know it sounds cliche, but it’s not. I’m a living testimony. I got kicked out of every school in Miami and South Florida. And now I own three private schools within two and a half years. [It doesn’t] take 30 years; God judges you and he positions you by your heart. If your heart posture is correct, whatever passion you have, he will lead and guide you into all truth. The word of God is true.

If you want success, the only success you will have is with the Lord and in His Kingdom. Anything else is going to tear you down, going to destroy you, going to suck you dry. You become successful when it’s benefiting other people. Everything you do [with your gifts] should benefit someone else. That’s how you know it is from the Most High God. Jesus never did anything for Himself. Everything He did was for someone else. Now [He has] the highest name in the heavens, on earth, and under the earth. When you begin to lay down your life for the kingdom, your desires, your passion, or whatever it is, you can find out what God has already planned out for you. When you follow with Him you will have success. It’s just going to come with obedience.

 

TERRAFORM: An Interview with PROPAGANDA

TERRAFORM: An Interview with PROPAGANDA

It is clear to see that brokenness pervades our world as we look at the news headlines. We encounter the same brokenness in our communities and households. But when we recognize our ability to impact the culture that surrounds us in the same way we are impacted by it. UrbanFaith sat down with artist, entrepreneur, and now author PROPAGANDA to discuss his new book Terraform: Building a Better World. Full interview is above, more information on the book is below.

In this deep, challenging, and thoughtful book, Propaganda looks at the ways in which our world is broken. Using the metaphor of terraforming—creating a livable world out of an inhospitable one—he shows how we can begin to reshape our homes, friendships, communities, and politics. In this transformative time—when we are redefining what a truly just and equitable world looks like, and reflecting on the work that needs to be done both in our spiritual and secular lives—Propaganda rallies readers to create that just world. He sheds light on how nefarious origin stories have skewed our views of ourselves and others and allowed gross injustices, and demonstrates how great storytelling and excellent art can create and shape new perspectives of the world and make all of us better.

He Saw That It Was Good: An Interview with Sho Baraka

He Saw That It Was Good: An Interview with Sho Baraka

As our world becomes more divided and we seek to reconcile with ourselves and our neighbors we know we need God more than ever. But how can we hear and follow God in the midst of our fractured reality in ways that are faithful and life-giving? UrbanFaith sat down with the artist, activist, and creative Sho Baraka to talk about his new book He Saw That It Was Good, which helps us think through some of the most pressing questions of our world to see the beauty and purpose of God’s creation expressed in our lives. The full interview is above and the excerpts below have been edited for clarity and length.

 

 

 

Allen

Hello UrbanFaith. We have with us one of our very own gems of our generation, as I like to say, an artist and activist. He’s a historian. He’s an author now, and that is Mr. Sho Baraka. With his book, He Saw That It Was Good. And we’re going to be able to talk with him about this book, what it was that he’s thinking, and how he’s thinking through these things, because I just feel like he’s got wisdom to drop for us today. So Sho, good to have you. 

My first question for you is one of the ones that people ask all the time, I know you as an artist. A lot of people have encountered you in that space. What made you decide to write down your thoughts in this book and continue to integrate your art in this form?

 

Sho

I think ever since I recognized that I was a creative, I think I’ve always wanted to write. As a young child, I wanted to write novels, short stories. But like my own experience, as I got older, I got introduced to hip hop and poetry from the Harlem Renaissance. And my desire for art kind of moved towards poems and music. And so I pursued more hip hop than I did writing and poetry. But I got to a place where I felt like there were there were some things that music couldn’t really quite communicate. And when we got around 2016, the political landscape started to get real divisive. People were shouting at each other, friends became disintegrated. And I said, you know, music is great, music has this place of disarming people and communicating things in ways that are really helpful to society, getting us to reimagine our world. But I feel like, I need to communicate a very straightforward, more poignant message, and also exercise these muscles that I’ve always wanted to exercise. And so in 2016, is when I really [started] to process through. All right, I think I want to write a book. The question was, what type of book?

And a lot of people wanted me to write a book about race. Because I talked about race a lot. A lot of people wanted me to write a book about politics, because I wrote about politics sometimes. But the reality of it is I’m no expert in either one of those arenas. And so what I wanted to do was say: well, what is my personal, ethical, and theological approach to work? Creativity in telling stories, which is informed by race, which is informed by politics, which is informed by our personal experiences, and therefore I can talk about race, I can talk about politics, I can talk about creativity. But ultimately, I want to show how all of those things affect how we work, and how we and how we create and tell stories in this book.

 

Allen

I love it. You mentioned  how you’re bringing in so many different things. You talk about race here, you speak, you do poetry, you do short stories in here. You’re bringing in history, you’re talking about creativity and theology. And I would say that that makes this a true theological work because us understanding God and ourselves is multiplicity, right?  And so I wonder why do you think that’s important that you’re able to bring together all those different pieces of yourself? In order to share a message why is it important that we do that kind of work? 

Sho

Yeah, I think you hit on it. I think oftentimes in theological posture in America, we’ve separated. Really, we’ve created a bifurcation of the body and spirit. You know, like there’s there’s ways to fake it and there’s ways to be. And I think Jesus very much so, the Bible very much so teaches us how to be comprehensive in our beings.

[It’s okay] to weep. Jesus is very emotional with people, he has these wonderful physical relationships with people, but he also is very didactic and theoretical and philosophical. And oftentimes, we feel that we can only exist in one or two spaces. The gist, I believe, and I think this book is arguing as well, is historically, the black Christian posture has done a great job of doing both. Because you can’t separate the spiritual element, like the theory or the up in the air aspect of like, we know that Jesus is real, we know God is real. We know we believe [even when] we can’t quite feel him in that sense. But there’s also this physical aspect of: we need liberation. There’s a physical, there’s a physical desire we have, we’re on this plantation, you know, I mean, we’re asking the Lord to be rescued. But at the same time, we know that…there’s a here and now need, and then there’s a future glory that we’re going to see as well. 

And Christian faith in the black tradition has always been tethered to justice. So it’s always been tethered to this physical aspect of redeeming the world that has been broken, as well as this intellectual, inner introspective. Kind of how do I how do I wrestle with my own existential experiences, if you will. And to jump to the end of the book and kind of steal some of its glory, I talked about one of my favorite people, George Washington Carver. And that I think he had this wonderful mysticism, and I don’t want to say mysticism to scare people away from…the true and the actual, but there is a bit of mysticism about our faith. And we see that throughout the scriptures. But George Washington Carver had this physical felt God, let me relationship with God, that I think we often look at is weird to have, well, he knew nature. He knew the plants he knew. He knew that because he knew God years and his relationship with God and formed his work and his relationship. So much so that he spoke to plants. Yeah. And people who said, “It’s crazy.” And so for me, what I say is there’s this aspect of us, coming into this full, comprehensive understanding of what the gospel is. It’s not just this intellectual understanding, it’s the physical body, it’s how do we get connected with our bodies, and in the sense of that, how that impacts our communities and the things we make and create. 

 

Allen

So last question for you. And this is one of those easy takeaways, what is it that people can do?  What is it that we should do now in order to live into our vocation to make a difference? How can we approach finding our next is a better way to say it?

 

Sho

Yeah, that’s a good one of the things I this is, you know, this is not gospel, but this is just my own personal observation. I think when we think about the word calling, I think, oftentimes, we just think about what am I good at? What what’s my skills, and let me go pursue that. And I, you know, that can be very romantic and poetic, but often think that also has its problems. I think the way we should view calling is, where’s their need? And where has God led me to fulfill this particular need? Because we see that throughout Scripture, we see Moses being called to a problem. And Moses is like, well, I don’t know if you got the right guy. And God is like, No, I’ve got the right person, I just need you to go do it. And but the reality is, is Moses does have the skill sets he was born into, I mean, he was raised in the palace, you know, he knows the laws, he knows the culture. And so to send Moses back is the most wise actions you can do. And so Moses can say he’s like, but this is not what I want to do. Oftentimes, we got to get past what we want to do in order to really see great change in our society.

I hope that we start seeing vocation apart from something we just do, but it’s a part of actually creating and cultivating society. So oftentimes, you will think of artists and creatives of people who actually create culture. But the reality is, is every vocation participates in the building up of a culture of a society. And the more we wake up every day, seeing that we have this canvas, and we can paint this beautiful image of God without work, then the more intentional we’ll be about the work, we, we choose how we work every day, and how we, you know, view other people’s work. And so don’t just work at a place just to get a check.

But if that is you, if you are in a place in your life, where you only when you have to work just to provide Yeah, a lot of us are in that situation, then figure out how do you do that for the glory of God, you know, me? Because I know some people don’t have the luxury of picking a path and picking a career. Some people just have to pay bills. Yeah. But understand even in that, that’s, that’s important. That’s just that’s God glorifying, like your work doesn’t have to be tied to some sort of social good in order to be transformative. And if you’re working at the drive thru, well, the way that you come to work and the environment, you try to create the way you interact with the customers creates culture. It creates an environment. And so I look at chick fil a, the one thing you will know about chick fil a is when you go into chick fil a people don’t be foul. They don’t be smiling, they will say My pleasure, you’re going to get a wonderful experience. I don’t know if that person can have a moment. They can have the worst day ever. They can be mad, but they don’t least fake it. Yeah.

They’ve created a culture and an environment. And I think a lot of chick fil A’s business is because of that. Yeah. what you can expect from the environment. Imagine if we all had that posture where I work, I’m going to work even if I don’t like the job to create an environment of my pleasure. And that’s that’s kind of like the way we should view our vocation. So those are a few things I think that we can do.  

Flip The Script For An Invitation into Artistic Inclusion

Flip The Script For An Invitation into Artistic Inclusion


Video Courtesy of Black Excellence Excellist


So another Black History Month is here, and for artists, writers, musicians, and other creative types that hail from the Black community, it’s an opportunity that comes with a burden.

February is a time when your workplace, school, or church might be more open to forms of artistic expression that highlights the achievements of Black people, particularly for those of you who live and/or work in a predominantly White community. And while it’s obviously a great opportunity to highlight the best of our tradition as a community, it also means that from an exposure standpoint, it’s an opening to get your songs, poems, plays, or paintings seen and heard by people who might be able to support you financially.

But the burden is the challenge of successfully executing your art without being swallowed whole by the bitterness of the struggle. I mean, let’s just be honest: struggle might be the catalyst that serves to incubate powerful works of art, but it’s terrible as a sales technique. No one can alienate their audience through their art and simultaneously persuade them to become financial supporters.

The truth is, we’ve come a long way as African Americans. No longer are we restricted to the kinds of gigs and roles that kept us docile and subservient in the minds of the majority. In recent years, there has been a greater level of visibility to the everyday struggle that Black Americans endure, and it’s also helped place a premium on authentic Black art that helps to articulate that struggle.

Still, if we’re not careful, we’ll fall into a false dichotomy, where we feel like either we must keep it fully 100 at all times with our art, or we’re selling out for the money.

But there’s a middle ground.

Discerning the Difference

Ten years ago, I was in a hip-hop duo traveling to a Christian camp to do a concert for a bunch of youth from the inner city. When I arrived onto the campus, I headed to the most logical place for music performance—the chapel.

As I walked into the chapel, I walked up to the sound booth, and told the guy that I was with the hip-hop group that was supposed to perform. He gave me this blank stare, so I thought, “Hey, it’s loud in here, so maybe he can’t hear me that well. I tried again, a bit louder.

“I’m with the Iccsters… y’know, the hip-hop group.”

Again, he gives me this confused stare. And then he says, “This is Christian camp.”

Right then and there, I almost lost it. I could tell that he didn’t really mean to say anything offensive to me, but it was like all the years of being stereotyped as a young Black man, overlooked and misunderstood as a rap artist, all the times hip-hop had been blamed for all of society’s problems—by other Christians, no less!—almost overwhelmed me. I wanted to set him straight and tell him that there are Christians who perform hip-hop, and his assumption was shortsighted, racist, and insulting.

But I had somewhere to go, so I swallowed that rage, walked out of the room, called my contact, and located my actual destination (a different building with a smaller setup).

Often, when I’m invited to share hip-hop as a form of worship music and find myself in spaces that remind me of that day, I’m tempted to go back to that moment, tap into that rage, and give the audience a piece of my pain.

The wisdom and maturity of age helped me learn how to posture myself, not as someone with an axe to grind, but as someone with something of value to share. And when I share my pain, I do it with an eye toward giving others an opportunity to join me in my struggle, instead of guilting them for not already being onboard.

Sometimes God calls us to stand up and fight; other times, He simply gives as an opportunity to share who we are and how we got here. As an artist, my prayer is for us to flip the script and learn to discern the difference.