MITT’S PITCH: GOP presidential nominee Mitt Romney took his conservative message to the National Association for the Advancement of Colored People (NAACP) convention on Wednesday, telling the audience that President Obama’s policies have hurt African Americans. (Photo: Nicholas Kamm/Newscom)
Republican Presidential candidate Mitt Romney “received the most hostile reaction from any campaign audience this year” and “appeared unsettled by three rounds of loud boos” July 11 at the NAACP national convention in Houston , The Washington Post reported.
‘Obamacare’ Opposition Booed
The booing came after Romney expressed his opposition to the Patient Protection and Affordable Care Act, The Postreported, but the article said “many portions of his speech received reserved cheers, such as his promise to defend traditional marriage, and many black voters in the audience stood to applaud him when he finished.”
Trumped Up Support
Colorlines published a gallery of frowning faces from the event and quoted tweetsfrom pundit Roland Martin that accused Romney of busing in supporters. Is anyone else not surprised that a political campaign would bus in supporters, especially when the audience is expected to be less than friendly?
Failure to Connect
“It wasn’t just [Romney’s] sharply-worded criticism of President Obama’s policies” that drew the audience’s ire, according to BuzzFeed. “It’s that Romney doesn’t know how to talk to black audiences.” For example, Charlette Stoker Manning, chair of Women in NAACP, reportedly said, “I believe his vested interests are in white Americans. …You cannot possibly talk about jobs for black people at the level he’s coming from. He’s talking about entrepreneurship, savings accounts — black people can barely find a way to get back and forth from work.” I’m not sure about you, but to me that last bit sounds like a pretty insulting generalization.
Bold, Consistent Message
“We understand that folks aren’t going to agree with us 100 percent,” Romney adviser Tara Wallis quoted as saying. “But at the end of the day, I think that Gov. Romney’s message was bold. He said what needed to be said, and he said what he’s always said.”
Thumbs Up for Courage
“I give him thumbs up for being courageous,” William Braxton, a retiree from Charles County, Md. told The New York Times. However, Braxton also reportedly said he has “never, ever” heard Romney “say anything about how he would help the poor or underprivileged, let alone the black community.”
Obama Absence ‘Perplexing’
Molly Ball, of The Atlantic, found it “perplexing”that President Obama didn’t speak to the group at all, but instead sent Attorney General Eric Holder on Tuesday and Vice President Joe Biden today because of “scheduling” conflicts. “When the president is invited and sends an underling instead, that’s an undeniable dis, especially when his opponent shows up in person,” said Ball. “Obama, who won 95 percent of the black vote in 2008 (and who, you may have heard, is America’s first black president), may believe he can afford to take black voters for granted. But that’s not at all clear.”
Biden Draws Cheers
The audience was perhaps forgiving, because “Biden drew cheers as he credited Obama for championing a landmark health care law, launching the mission that killed al-Qaida leader Osama bin Laden and stepping in to rescue the financial system and U.S. automakers General Motors and Chrysler,” the Associated Press reported.
What do you think?
Is President Obama taking the Black vote for granted?
Whitney Houston funeral guest shows his program to journalists (photo by Christine A. Scheller).
Whitney Houston’s family achieved the near-impossible for themselves and for her. They managed to hold a private “home-going service” for the superstar, and did so, in part, by graciously broadcasting that service to the world.
The setting was an unlikely one, dotted as the neighborhood is with abandoned and half-built buildings. An exceptional, appropriate silence prevailed throughout a wide perimeter around the church. Local gangs reportedly even called a truce in Houston’s honor.
When I spoke to Rev. Howard in preparation for my reporting, he expressed concern that fans would forget that, although Houston was a public figure, her untimely death is fundamentally a family tragedy.
“If people have any kind of dignity and compassion, if they truly love Whitney Houston in the best sense of the word, they won’t go clamoring at the church, knowing they have no invitation,” Howard had said.
Perhaps fans did, in fact, love her enough to stay away, because there were no crowds—only a couple hundred journalists, a significant police presence, and handfuls of fans keeping vigil several blocks away as limousines and luxury cars came and went.
The Rev. Dr. DeForest “Buster” Soaries, pastor of First Baptist Church of Lincoln Gardens, New Jersey, has known the Houston family for decades. He shared his memories of the woman he called “Nippy” at CNN.com and provided commentary for the network with Soledad O’Brien, Piers Morgan, and the Rev. Jesse Jackson as the service got underway.
When I spoke to Rev. Soaries Friday evening, he said his ministry to grieving families is informed by his own painful experience of having lost his father suddenly when he was only 24 years old. Because of his father’s stature as a minister in their community, other clergymen came to visit him and his family in the days after his father’s death. None sought to comfort or pray with him, he said. Instead they tried to influence who would preach the funeral. When the time came, minister after minister got up to speak until Soaries passed a note to the emcee saying the family would leave if these men didn’t stop their “foolishness.”
“It was clear to me that their presentations had nothing to do with my dad, nothing to do with the family, and everything to do with them seeing the church full of people, and this big crowd. They were motivated to perform rather than serve,” said Soaries.
Roberta Flack and N.J. Gov. Chris Christie pass a sign that flashed "We Will Always Love You" and "Whitney Houston" as they leave her funeral (photo by Christine A. Scheller).
Perhaps because they’ve dealt with sycophants for so long, the Houston family seemed to give the microphone only to those who would focus on their “Nippy” and her faith in God.
“You paid a tremendous price in life,” Bishop T.D. Jakes told Houston’s family as he began his remarks. “You shared her with the world and we want to take a moment and say thank you.” Yes, thank you so much.
Academy Award-winning actor Kevin Costner said he fought for Houston to play the leading role in her first film, The Bodyguard, and talked about the insecurities that both made Houston great and contributed to her decline. He said insecurities like hers are not unique among the famous.
Media mogul Tyler Perry said there were two constants in his friend’s life: “a grace that carried” and her love for the Lord. Quoting from the Apostle Paul, he said neither the height of her fame nor the depth of her struggle could separate her from God’s love.
“What then say you to these things?” said Perry. “If God be for you who can be against you? God was for her and she is resting, singing with the angels.”
Soaries said it’s important to focus on the positive aspects of a deceased’s person’s life because “there is some redemptive value in every life” and because doing so “helps counter negative feelings and the negative imagery of the dead body.”
This week a reporter told Soaries that sources who knew Houston kept saying, “Weeping may last for a night, but joy comes in the morning.”
“That’s poetry and, for some, it takes years for the morning to come,” he said. “There’s nothing in the Bible, either in verse or theology that suggests we get over death. Death is too unnatural. What the Bible promises is that God will help us get through it.”
In regard to Houston’s long struggle with drug addiction, Soaries told Piers Morgan that she “was surrounded by an environment of temptation” growing up and “had access to all kinds of things.”
“I would not condemn [ex-husband] Bobby Brown for Whitney’s struggles,” he said.
“I’m surprised to hear all these secular people talk about demons,” Soaries told me. “Once you claim Whitney or anyone was struggling against demons, then you have to understand that it’s not her struggle. All of us, therefore, are struggling against the demons that attack our vulnerabilities. When we are incapable of dealing with demons, that’s when God and God’s emissaries take control, which means that death for a Christian is deliverance from the attack; it’s not surrender to the attack.”
Houston’s struggle wasn’t unlike the struggles of a person who can’t afford to buy food, but buys lottery tickets every week, he said. “It’s the same problem … It’s not that drugs used by a superstar are any worse than gambling for someone on food stamps. Something attacks our vulnerability and causes us to behave in self-destructive ways.”
This is what journalists call the "coffin shot": Whitney Houston's casket being carried out of New Hope Baptist Church after her funeral (photo by Christine A. Scheller).
Rev. Howard went further in his assessment of Houston’s decline. He believes that she, like so many exceptionally talented artists before her, succumbed to an “occupational hazard.”
“Talented people are somehow caught in a cycle of demand for their services without regard for their humanity,” said Howard. “I think it’s a dance between the artist’s temperament and their vanity or ego and their desire to remain on top in a very competitive business. I think there are people who are around them, who suck their blood, so to speak.”
I felt like one of those people yesterday, showing up as I did to photograph and report on her funeral. Around me journalists jockeyed for shots of her casket being loaded into a hearse and for the inside scoop on why Bobby Brown abruptly left soon after the funeral began. Like them I took the coffin shot and reported what sources inside were saying about Brown because that’s what the world wanted to see and know.
“What is the social madness? What is the social need that makes us virtually deadened to the family hurt and pain of this loss?” Howard asked. He would have liked to see Houston singing into her old age like Etta James (who died last month at 74 years old) did.
“[James] had her own struggles, but she managed somehow to pull out of this,” he said.
Perhaps the great lesson to be learned from Houston’s unlikely funeral is the one her family — rooted as it is in community, church, and gospel — taught us. Artists like her generously share their gifts with us. They don’t belong to us. They belong to the people who love and nurture them through the heights and the depths of their lives, and who send them home with grace when their battles are done.
PLAY THAT FUNKY SOUL: The Kashmere High School Stage Band, circa 1976.
The new Mark Landsman documentary Thunder Soul may be relying on the glitz of executive producer Jamie Foxx’s name to get attention at the box office, but this magnificent little film about the musical achievements of an all-black Texas high school stage band hardly needs Foxx’s help.
Like a PSA on the lifetime value of music education in secondary schools, Thunder Soul captures the reunion of Kashmere High School’s funk band 35 years later as the alumni get the band back together to perform a tribute concert for their famed band leader and accomplished jazz musician Conrad O. Johnson. “Prof,” as the students call him, served as a father figure, drill sergeant, and part-time life coach, for the group of mainly at-risk African American kids, pushing and inspiring them to grow into award-winning musicians who innovated the world of high school stage band music with their smooth James Brown-inspired sound.
ALL TOGETHER NOW: Conrad “Prof” Johnson conducts the Houtson, Texas, Kashmere High School Stage Band.
Once tapped to be a musician for Count Basie’s touring band, Prof eventually passed on the glamorous lifestyle of professional music, choosing instead to settle into marriage and a quieter life of purpose as an educator for a local high school. Or so he thought. It was at Kashmere High that his creativity blossomed, leading him to craft a catalog of songs for the school band that are still being sampled by contemporary DJs and artists on hip-hop records and pop tunes today.
But it’s Prof’s lasting influence over the students’ lives, not the music industry, that looms largest in the film. Still eager to please the man who taught them so much of what they know, the alumni painstakingly turn the dissonance of decades passed and instruments left untouched into a stirring symphony paying appropriate homage to their 93-year-old professor. In awe of their ability to still play, Prof exclaims almost with a well-deserved wink of ego, “You mean they were taught so well, that they can remember what they did then … and do it?”
The answer is yes. And to hear the alumni speak, many of whom hadn’t touched a trombone or flute in over 30 years, those sacred hours spent in the band room during the 1970s were about more than just instruction on notes and harmony. Prof taught the students that they had the power and potential to play as well as any professional band, if they would only work hard. It was that inspiration that pushed many of the students out of the Fifth Ward of Texas with life sentences to poverty and raised them into adults who ultimately became doctors, lawyers, musicians, and even pastors.
Rhythmic and multi-faceted, the film itself is a bit like jazz — always progressing yet lingering over the notes. Landsman, aided by the phenomenal editing of Claire Didier, maintains the backbeat of the band’s story while weaving in colorful snippets of the Black Power movement, the racial segregation of the south, the cyclic nature of poverty in America, and the charm and intimacy of black families. Whether you love niche funk music or are simply a sucker for the sentimentality of a good underdog tale, Thunder Soul, even without a powerhouse star to headline the movie, is worth your time.
Thunder Soul opens today in Atlanta, Houston, and New York. Check the film’s website to find out when it opens in your area.
