by Candace Howze, Urban Faith Contributing Writer | Feb 24, 2017 | Entertainment |
Last year, after nominations were announced for the Academy Awards and all 20 acting nominees were Caucasian in the lead and supporting acting categories, Magazine Editor April Reign (@ReignofApril on Twitter) started the viral hashtag #OscarsSoWhite.
Even actress Jada Pinkett-Smith joined the action by posting a Facebook video that went viral in which she admonished actors and filmmakers of color to produce and support stories that showed diversity.
The flurry of criticism about the Academy’s whitewashed membership and honors swept social media and water coolers the world over. Not only were the lead and supporting acting nominees all white, but all of the best picture nominees featured a less-than-diverse cast and no women were among the major directing and producing honorees.
A lot has changed since then. This year, there are a record six nominations for actors of color:
Denzel Washington and Ruth Negga are up for leading roles in Fences and Loving while the supporting categories feature Dev Patel for
Lion, Mahershala Ali and Naomie Harris for Moonlight, Octavia Spencer for Hidden Figures, and Viola Davis for Fences. The last three films are also best picture nominees and frequent winners this awards season. In the documentary category, films like 13th, I Am Not Your Negro, and OJ: Made in America have Oscar nods.
There was also history made behind the scenes: Joi McMillon is the first black woman nominated in film editing (Moonlight) and Bradford Young is the first African American nominated in cinematography (Arrival).
Many moviegoers were excited to see these films excel at the box office and obtain acknowledgment from prestigious institutions. Reign tweeted on Jan. 24: “I see y’all and I appreciate the support so much. Things are changing because our voices are strongest together.”
Brittany Hendricks, a post-production coordinator who’s worked primarily in television on shows like CW’s The Messengers and FOX’s PITCH, says her earliest Oscars memory was Halle Berry’s 2002 win for Monster’s Ball — the first time a Black woman received the honor for best actress.
“This year is such a big year for black films [and] movies like Lion are opening the doors of diversity as well,” Hendricks said. “It’s showing young kids that people like them with stories like theirs have a worldwide impact in a way that I didn’t see when I was a kid.”
Many people attribute the nominations to changes within the Academy, thanks to altered membership requirements from its president, Cheryl Boone Isaacs. The organization is currently 46 percent female and 41 percent minority as opposed to its mostly white male composition just a year ago.
However, it may actually take more time to see whether the membership changes and increased social pressure have actually changed 
the Oscars, given that all of these films were in production or near completion during last year’s protests.
Academy Award winner Octavia Spencer recently told Entertainment Weekly: “When you know how movies are made, the explosion of films with people of color is not a reaction to #OscarsSoWhite. The tide has changed, but we still have a ways to go, because they still aren’t inclined to greenlight a movie that’s starring a person of color, without a long list of white box-office people.”
A prime example was last year’s Birth of a Nation, a Nat Turner biopic that broke records at the Sundance Film Festival and was early talk for awards season after having barely secured funding. After past sexual assault allegations arose about its writer-director-star Nate Parker, all buzz around the film died, a stark contrast to Casey Affleck, whose film Manchester by the Sea is up for several awards despite his own very recent sexual assault allegations.
So, are the recent nominations somewhat misleading? Last year, only 7 percent of directors, 13 percent of writers, 17 percent of editors, and 5 percent of cinematographers were women based on a recent Celluloid Ceiling study. Despite the influx of minorities this year, they are all African American except for Patel. Although Black activists led the call for change, Reign explicitly used the hashtag “#OscarsSoWhite” because she was appalled by the lack of diversity for all ethnicities.
“One year of films reflecting the Black experience doesn’t make up for 80 yrs of underrepresentation of ALL groups,” she tweeted in January. Spencer seconded this by saying our biggest voice is heard by supporting movies whose casts reflect diversity.
“If I look down a list of characters on a film, and it doesn’t have gay, African-American or Latin characters, I’m probably not going to spend my money on the ticket,” Spencer said. “When we stop supporting things with our dollars that don’t represent all of us, then you’ll see an explosion of diversity.”
Television consistently proves that shows spotlighting artists of color can appeal to the mainstream in large numbers. Empire, whose viewers are mostly Black, has earned Emmy and Golden Globe awards. The most recent Nielsen TV viewership analysis shows that predominantly non-Black audiences watch hit shows like This Is Us, Black-ish, PITCH, How to Get Away with Murder, Atlanta, and Insecure, one of Hendricks’ favorites.
“I’m so incredibly inspired by Issa Rae! She started out with “Awkward Black Girl” on YouTube and now she’s the creator and star of “Insecure” on HBO. I just love how she didn’t wait for someone to give her a platform to tell our stories,” Hendricks said. “She created one of her own until people took notice, and now she’s helping other young storytellers like herself do the same thing.”
It appears that Hollywood may finally be taking notice of something TV networks are taking full advantage of, and the result will hopefully be storylines that are more inclusive. This year’s awards will have more color, and that means a lot to the people watching at home and the filmmakers working in studios. Last year, Will Smith said he was worried about all the kids who might be watching the Oscars and “not see themselves represented there.” One thing’s for certain: That won’t be such an issue on Sunday.
The Oscars will air Sunday, Feb. 26, at 8:30 p.m. EST on ABC.
Who will you be rooting for at the 2017 Academy Awards? Share your thoughts below.
by Adelle Banks | Jan 18, 2017 | Headline News |
(RNS) In one of his last official acts, President Obama has designated Sixteenth Street Baptist Church and other civil rights landmarks in Birmingham, Ala., as the Birmingham Civil Rights National Monument.
The designation protects the historic A.G. Gaston Motel in that city, where the Rev. Martin Luther King Jr. and other civil rights leaders had their 1963 campaign headquarters, as well as Kelly Ingram Park, where police turned hoses and dogs on civil rights protesters.
And it includes the Sixteenth Street Baptist Church, where four girls died in 1963 after Ku Klux Klan members detonated more than a dozen sticks of dynamite outside the church basement.
“This national monument will fortify Birmingham’s place in American history and will speak volumes to the place of African-Americans in history,” said the Rev. Arthur Price Jr., pastor of the church, in a statement.
Obama’s proclamation also cites the role of Bethel Baptist Church, headquarters of the Alabama Christian Movement for Human Rights, and St. Paul United Methodist Church, from which protesters marched before being stopped by police dogs.
In his proclamation Thursday (Jan. 12), Obama said the various sites “all stand as a testament to the heroism of those who worked so hard to advance the cause of freedom.”
In other acts, all timed to Martin Luther King Jr. Day, which will be observed on Monday, the president designated the Freedom Riders National Monument in Anniston, Ala., and the Reconstruction Era National Monument in coastal South Carolina.
He cited the role of congregations in all three areas — from sheltering civil rights activists at Bethel Baptist Church to hosting mass meetings at First Baptist Church in Montgomery, Ala., to providing a school for former slaves at the Brick Baptist Church in St. Helena Island, S.C.
The designations instruct the National Park Service to manage the sites and consider them for visitor services and historic preservation.
“African-American history is American history and these monuments are testament to the people and places on the front-lines of our entire nation’s march toward a more perfect union,” said Interior Secretary Sally Jewell.
by C.B. Fletcher, Urban Faith Contributing Writer | Oct 8, 2016 | Entertainment |
Finally, we have a story of rebellion that takes us beyond the slave narrative and shows the beginnings of the revolution of the African American. The Birth of A Nation is the story of Nat Turner played by actor and award-winning director Nate Parker, who is a literate slave preacher-turned-radical that endures the woes of slavery and reinterprets the Bible to be empowering, instead of a source of control.
Starting this weekend, audiences everywhere will have the opportunity to relive the slave tale from a different perspective. It is a story that sheds light on how Christian faith did not subdue slaves, but instead, it became a source of strength. We had the opportunity to view the pre-screening of this perfect retelling of the events leading up to this historic revolt and its haunting, gory imagery that depicts a reality of this undeniable time in history.
While viewing the film, some may spot some other similarities that Turner endures at the age of 31, so be prepared to cheer when he displays his God-given intellect and might. In the meantime, we would like to share some of the film’s most compelling themes with the uneducated, miseducated, and African American History enthusiasts that are prevalent both in the past and present below:
Using Scripture as a Source of Power
Historically, so much has been handed to black people for defeat and turned into a weapon of victory, including our faith.
In the film, the slave master’s wife discovers that Nat can read and takes it as a divine sign to mentor him in Scripture. As an adult, the owner uses Nat’s gift of preaching for profit while also using the sermons to subdue other slaves.
However, after taking a closer look and studying the Bible again, Turner realizes that the Scripture is being misused; so he chooses to use it as a source of power for the revolution.
The message we should all take from this is to read the Word and get to know God for yourself in order to prevent misinterpretation and enhance our sense of empowerment. The tale of false prophets is nothing new, so it is important that we are able to differentiate between a manipulated preacher and a vessel of God? The presentation of the Word will reveal the truth.
The Prayer Warrior, Not the Foot Soldier
What audiences will not see in this film is the majestic Black, female soldier that we have come to love in modern-day society. In fact, the women in this film are meek in comparison, however their strength comes in the form of prayer and support. This image may irritate some and make you wonder why the women are praying instead of picking up weapons and strategizing.
However, it is important to remember that the woman’s role during the days of American slavery was to sit back, observe and continue to be a constant support for the men in their lives.
As time went on, the revolutions to follow gave birth to many strong women who bore even stronger children and the victory continues amidst our battle on both the physical and spiritual battlefield.
“They’re killing people everywhere for no other reason at all but being black.”
This line in the film will make the audience shutter at the reality of the history and our present circumstances in the fight to show that Black lives do, in fact, matter. Although it is not meant to address the current movement, it is clear that the director, Parker, wanted to make the correlation.
The film shows what punishment looks like for the concept of freedom, and this same concept is something that Blacks pay for repeatedly despite their individual success and our community’s history of overcoming obstacles.
As a community, African Americans have greatly contributed to the evolution of the American landscape and some would argue that punishment is given as envious punishment. This same theme is carried throughout the film.
So Why See Yet Another Slave Film?
With films like Amistad, 12 Years A Slave and television series like “The Roots,” many of these stories are about surviving slavery and not the brutal fight to be free. Although the story is a carefully paced depiction of Nat Turner’s life, it pieces together the ancestral grit, new philosophy, and spiritual awakening that makes the oppressed ask, “When is enough is enough?”
We are living in a time where we are most certainly free and, somehow, still at war in an effort to show our worth. While it is not implied that we revolt in the form of violence against injustice, it is a reminder to stand up for our God-given right to be free and treated justly.
by UrbanFaith Staff | Sep 28, 2016 | Feature |
by Allen Reynolds, UrbanFaith Editor | Jun 30, 2016 | Headline News |
Before Sunday night, you might have recognized actor and social activist Jesse Williams, 34, for his role on ABC’S “Grey’s Anatomy,” or perhaps you’ve come across news coverage on his active participation in recent protests that began shortly after the death of Michael Brown. However, it was the speech Williams gave while accepting the Humanitarian Award during Sunday’s BET Awards that catapulted him to a new level and shed light on his genuine passion as a social activist.
The brilliance of Williams’ speech is that it simultaneously inspired, convicted, encouraged, and indicted his mostly black audience. His overall demeanor and diction created a didactic environment that impacted all who were listening, including some of the biggest entertainers in the world, the media, and the thousands of viewers who tuned in Sunday night. No matter who you were, on Sunday night we received a treat when Williams took the stage to deliver such a powerful message.
Although Williams took the time to address a number of things that were long overdue, it was the below points that created opportunity for some serious reflection on how faith has been misused in the black community and how we can use that same faith to actively gain the freedom we were given by God and promised by the American enterprise.
Many of us have been praying for the wrong things.
All of us in here getting money—that alone isn’t going to stop this… Now, dedicating our lives to getting money just to give it right back. [We] put someone’s brand on our body when we spent centuries praying with brands on our bodies, and now we pray to get paid with brands for our bodies. —Jesse Williams
This point was directed particularly towards the celebrities in the room, but it applies to everyone in our culture that makes the concept of “celebrity” something to strive for, the measure of success. In just three sentences, Williams highlights the complex relationship between black people’s enduring faith in the midst of slavery and the travesty of so many of our people twisting the American dream today. They have taken advantage of the freedom that the slaves prayed for in exchange for socioeconomic slavery. This new-age slavery comes in the form of corporate branding and the dollars that are attached as a measure of success.
How many people do you know that are praying from an impoverished, prosperity theology? Perhaps you also know a few people who measure their success and “favor” by material wealth, selling themselves for money, attention from “the right people,” and likes on social media.
Williams’ statement reminds us that the success we should be praying for and working toward is measured by the freedom of self-determination and liberty for our communities, not dollars in our bank accounts and designers on our bodies.
We can’t just wait to die and go to Heaven to be free.
Now, freedom is always coming in the hereafter but, you know what, though, the hereafter is a hustle. We want it now.—Jesse Williams
Jesus prayed for the Kingdom of God to come and the will of God to be done on Earth as it is in Heaven (Matthew 6:9-10). Then, Jesus took action everywhere; He went to correct the earthly things that were at odds with Heaven, from sickness to disease, to demonic attacks. He addressed everything from the exploitation of the poor to self-righteousness, to pride, and all of the impacts of sin that separates us from the power of God’s presence in our lives.
Jesus did not die only for us to focus on the afterlife. Instead, He promised the disciples that those who follow Him would receive back what they have left to follow him (family and land) in both this life and the life to come (Mark 10:29-31). Indeed, whom the Son has set free is free indeed!
Williams’ speech reminds us that we must have an active faith in order to see God’s work through us in our communities. Praying for individual success without praying for collective liberation is not a true reflection of God’s kingdom as followers of Christ.
Waiting for freedom to just be given to us by those who oppress us is not the answer and neither is putting it off until the afterlife. Jesus taught us to believe in the ultimate justice of God and pray for God’s will to be done on the earth. Then, we are to ask God to use us as his vessels to show love and justice as Christians here on Earth. Jesse Williams reminds us that faith without works is dead, so let’s heed the call and get to work in our faith for freedom.
Check out Jesse Williams’ entire speech below:
Share your thoughts on Jesse Williams’ call-to-action during Sunday night’s “BET Awards” below.
